Step 6I have just started working across the image with white casein. Some passages are scumbled, or kind of broadly washed, most are built up with small hatch marks. With casein, I've found that if I dilute the white too thinly in washes, it may look wonderfully subtle and perfect, but when I come back over it with the first washes of egg tempera colors, the palest white washes have a tendency to disappear. I'll continue refining the forms and details with white a bit longer before I return to the darker values.
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