Step 5
I have now brushed over the whole panel with a couple of thin veils of Venetian red casein washes. I'm not worried about the uneven application of color. There's a lot more that needs to occur to the underpainting. This step provides a nice middle-ground value and injects a warm glow that will affect all the subsequent colors to follow on top of it. I'll work into the image next with white casein to bring back lighter values, and also punch up the darker values with black. The casein I'm using on this painting is Shiva brand tube colors. I sometimes mix dry pigments into straight casein emulsion, but the tubes are pretty convenient.
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