David Sandlin in His Studio (work in progress, 11)

Step 11

I'm continuing to work on the elements surrounding the figure. The practice is still the same as described earlier. I go over previous, thin washes of local color with more saturated glazes. I then modulate and augment those passages with a dry brush and more opaque colors. In general, I model each area of color with overlapping hatch marks of progressively lighter values; i.e., from dark to light.